Oskar Rieding’s Concertino op. 21 uses 1st and 3rd position exclusively. Hungarian echoes in the Andante sostenuto on the high and low strings of the violin and extensive semiquaver (sixteenth-note) passages in the Allegro moderato require basic dexterity in the left hand combined with frequent use of accented bowing in the right hand. The edition contains a solo violin part and a piano reduction for the accompanist.
