With Sigiswald Kuijken, the Baroque-violin expert, another celebrated performer puts his valuable experience at the disposal of Breitkopf & Hí_rtel and its new editions. BachŒÍs E major concerto still presents interpretative questions that have yet to be answered. The slurring of the solo part is sometimes quite incredible in the main source. And it is even doubtful that it stems from Bach himself. All the more important are the experienced soloistŒÍs suggestions for a stylistically accurate interpretation.In his edition for violin and keyboard instrument, Klaus Hofmann goes so far as to supply three violin parts (the first from the new score,the second with markings and notes by SigiswaldKuijken and the third as a facsimile of the main source). The performer is thus thoroughly infor med and able to make his own competent decisions. Siegfried Petrenz has realized the continuo part sparingly and idiomatically.
