Henrik Wiese has created a great stir in recent years with his many Mozart editions for Henle. He adheres strictly to Mozart's autograph score, allowing only a few sporadic editorial additions and discussing all important questions regarding dating and sources in his preface. As with thehorn concertos published to date, this volume also includes an extra ho rn part in F. The piano reduction by Jan Philip Schulze pays heed to thedemands of playability while producing a full-voiced piano texture appr opriate to the horn.?
